This account has rekindled memories of visiting the Rock Gardens in Chandigarh. I have pre-digital age photographs and will share those on my blog but this is a wonderful piece on the unique history of Nek Chand.
The Nek Chand Rock Gardens had been on our radar for a long time before we finally made it there. Located in the city of Chandigarh, at the foot of …
Kabirdas was a 15th century Indian mystic poet and is revered as a saint by many, across regions, communities, castes, and, now, nations. A disciple of Ramananda (in Banaras), his writings fed the syncretic Bhakti movement, which in turn influenced the development of Nanak and his teachings, to the extent that Kabir’s immortal verses are included in Adi Granth. Kabir was critical of all organised, institutionalised, hierarchical faiths, and their rites and rituals, sanctioned by sanctimonious and exploitative clergy. For Kabir, the Truth was not in these trappings, nor in their egoistic traders.
It is generally allowed that of all the great Reformers, Kabir (1440-1518) and Tulsi Dass (1544-1624) have had the greatest influence for good among…Northern and Central India. Kabir has been described…as the Indian Luther (1483-1546)…
Among those who acknowledge their indebtedness to Kabir as a spiritual guide are Nanak Shah (1469-1538) of the Panjab, the founder of the Sikh community; Dadu of Ahmedabad (1544) founder of the Panth that bears his name, and Jag Jiwan Dass of Oudh (1760) the founder of the Sat Nami sect. Among religious teachers whose doctrine is said to be largely based upon the teaching of Kabir are Bribhan, founder of the Sadh community (1658), Baba Lal of Malwa and Shiva Narain of Ghazipur.
In modern days the number of those who have in one way or another come under the influence of Kabir is very great. In the Census Report of 1901, the number of Kabir Panthis alone is returned as 843,171 and the actual number is probably considerably larger, as in the United Provinces many Kabir Panthis seem to have been returned as Ramanandis and the figures for the Panjab are not included.
The hymns of Kabir are still sung by many a wandering minstrel, while his pithy sayings are frequently employed to win the attention of a dreamy audience or to clench a lengthy argument.
Unfortunately, the material for a life of Kabir is miserably scanty. It is admitted by all Kabir Panthis that Kabir was brought up as a child in the house of Niru, a weaver. In the Adi Granth occur these lines: By caste a weaver and patient of mind: utters Kabir with natural ease the excellences of Ram.
It does not need much experience of ascetic literature to recognise that boldness and originality of this attitude in such a time and place. From the point of view of orthodox sanctity, whether Hindu or Mohammedan, Kabir was plainly a heretic; and his frank dislike of all institutional religion, all external observance – which was a thorough and as intense as that of the Quaker themselves – completed, as far as ecclesiastical opinion was concerned, his reputation as a dangerous man. The God whom he proclaimed was “neither in Kaaba nor in Kailash.”
Mo ko kahan dhunro bande
O servant, where dost thou see Me?
Lo! I am beside thee
I am neither in temple nor in mosque:
I am neither in Kaaba nor in Kailash:
Neither am I in rites and ceremonies, nor in Yooga and renunciation.
If thou art a true seeker, thou shalt at once see Me: thou shalt meet Me in a moment of time.
Kabir say, “O Sadhu! God is the breath of all breath.”
Santan jat na pucho nirguniyan
It is needless to ask of a saint the caste to which he belongs;
For the priest, the warrior, the tradesman, and all the thirty-six castes, alike are seeking for God.
It is but folly to ask what the caste of a saint may be;
The barber has sought God, the washerwoman, and the carpenter –
Even Raidas was a seek after God.
The Rishi Swapacha was a tanner by caste.
Hindus and Moselms alike have achieved that End, where remains no mark of distinction.
HAD ANHAD (Bounded Boundless): Journeys with Ram & Kabir (103 min, English Subtitles) A film by Shabnam Virmani – Kabir was a 15th century mystic poet of north India who defied the boundaries between Hindu and Muslim. He had a Muslim name and upbringing, but his poetry repeatedly invokes the widely revered Hindu name for God – Ram. Who is Kabir’s Ram? This film journeys through song and poem into the politics of religion, and finds myriad answers on both sides of the hostile border between India and Pakistan.
Further Reading see Purushottam Agrawal: Kashi ka Kabir and Akath Kahani Prem Ki: Kabir Ki Kavita Aur Unka Samay (An Ineffable Tale of Love: Kabir’s Poetry and his Times) (Rajkamal Prakshan, 2009).
He is wise who in this season
Clings to the stove like a madman.
Narrating this, my tongue is coated with ice.
My breath, it seems, has frozen to make another tongue.
And when the chill turns chillier still
Like the ear, even the mouth turns still.
The tear which drops from the crying eye
Freezes like the wax dripping down the candle.
All this is known to the wise ant
Which entombs itself when alive.
This winter’s tale I can no longer narrate
For the tongue is now an icicle in my mouth.
Read more about Gani Kashmiri (Mulla Muhammad Tahir Ghani), considered to be one of the greatest Persian writers from the Mughal period. Extract courtesy: Daak
Harinder Bindu and Sonia Mann have become prominent faces at the ongoing farmers’ movement. Both Bindu and Mann’s fathers were gunned down by Khalistanis during the militancy in Punjab, in the early 1990s. “What does this society think of women? This society’s Manusmriti, its religious institutions, and its other institutions, they think that ‘Women have no wisdom. They should be kept under our shoes,’” Bindu said. “But we say ‘No.’ Women are equal to men and they too have the right to struggle. For a life of equality, for a good life, they should fight.” “They [the government] are the ones operating like terrorists,” Mann said. “They are the ones shooting cold water [from water canons] at us and our elders, throwing tear gas at them, and hurting them [elders].” Shahid Tantray reports. Camera by CK Vijayakumar and Tantray. #FarmersProtest
It is the first post of 2021 and I start with the colour white/safed. White is often associated with a sense of peace, purity, innocence, a new beginning, of wiping the slate clean, a blank canvas and opportunity for you to do/write your own acts/words. Some people find white serene, tranquil and pure, while others may feel it is stark and cold; lacking any “colour”. In the occident, the colour white is often associated with weddings, hospitals, and angels and is used to convey a sense of purity and cleanliness. On the other hand, in the orient, white is symbolically linked to a colour of mourning and sadness, but underlying this is also a sense of nothing and renewal.
Here I share the words of poet Benjamin Zephaniah and boxer Mohammad Ali on what happens when you invert black for white…
White Comedy by Benjamin Zephaniah
I waz whitemailed
By a white witch,
Wid white magic
An white lies,
Branded by a white sheep
I slaved as a whitesmith
Near a white spot
Where I suffered whitewater fever.
Whitelisted as a whiteleg
I waz in de white book
As a master of white art,
It waz like white death.
People called me white jack
Some hailed me as a white wog,
So I joined de white watch
Trained as a white guard
Lived off the white economy.
Caught and beaten by de whiteshirts
I waz condemned to a white mass,
Don't worry,
I shall be writing to de Black House.
The moon is a multipurpose muse, at once a symbol of ishq (love), taqwa (piety), tanhaai (loneliness), hairat (wonder), khushi (happiness) and arzoo (longing). In Urdu literature, the moon manifests in all forms: aadha chaand (half moon), poora chaand or chaundhavi ka chaand (full moon) and badli ka chaand (moon hidden in clouds). The moon has also been a symbol of the poet’s promise to the beloved, with “tumhare waste main chaand tod laaunga (I will pluck out the moon for you),” being a familiar refrain.
‘The many moods of the moon; Urdu poetry’s favourite muse’, by Nawaid Anjum, July 22, 2019, The Indian Express
Langar at Gurdwara Pehli Patshahi, Lahore, Pakistan.
One of the earliest pieces I started with on this blog was with this picture of Guru ka Langar (or food for the congregation) in Lahore. The simplicity of daal (lentils) or in this case rajma (kidney beans) with roti (bread) is the basis of most langar served in a Gurdwara. As a child, I remember most children enjoyed going there in part because of the karah parshad (sweet halwa made from whole wheat flour) given at the end of the service and followed by the (free) food, which had its own distinctive divine taste, impossible to recreate at home.
Langar is the communal partaking of food when visiting Gurdwara. The concept has in recent years been popularised globally by Sikh organisations such as Khalsa Aid, which plan, produce and distribute langar to people across the crisis-ridden world, be it to the truckers stranded in Dover over the ongoing Christmas period or in recent war-torn Syria. With Langar spreading so does knowledge about and experience of the Sikh community. Currently, closer to the home of Sikhism in Punjab, Langar has been making headlines via the ongoing farmers’ movement against new farm laws in India. Communal kitchens have been set-up by the roadside to feed the thousands gathered on the borders of capital, Delhi.
Origins
The word ‘langar’ (meaning ‘anchor’) is thought to have come into the Punjabi language from Persian (Nesbitt: 29); although the idea was not unique to the Sikhs, as ‘both the Sufis and the Nath Yogis have a system of collective eating (langar khanah and bhandaras). The Sikhs, however, used it as venue for both service and charity and provided the food themselves [unlike] the Nath Yogis, who begged for food, and the Sufis, who often accepted land-grants to run their kitchens’ (Mann: 27).
Pictures are of Gurdwara Sacha Sauda, Farooqabad, Pakistan and about 37 miles away from Lahore. This gurdwara is revered with the origins of the langar and is situated not far from Nankana Sahib, the birth place of Guru Nanak.
Baba Farid (1170s-1260s), a Sufi saint from the Chishti order, living in the Punjab, would distribute sweets amongst his visitors; a precursor to langar-khana near shrines, a practice documented in Jawahir al-Faridi (1620s) by a descendent of his. The khanqahs of the Chishti and other Sufi orders kept a langar open for the needy, but also others. It is said that ‘Khwaja Muinuddin established the tradition of an open kitchen for all who came…in an age of feudalism and violence’ (Talib: 6).
There is, of course, a much older practice of the alms house or dharmshala/sarai to feed travellers and poor for free, which is thought to have existed through the Gupta and Maurya (esp. Buddhist) times that is on either side of the BC/AD divide.
Faith
The connections between the Sufis and the Bhakti (devotional) traditions are well documented, inspired as both were by the idea of feeding the poor, the pilgrim and thereby removing divisions/discrimination among people. The idea concretised with the rooting of faith in the region and by early 17th century, it had become a recognised Sikh fixture (Desjardins).
Eleanor Nesbitt notes that, ‘in institutional terms, it was the third Guru, Amar Das [1479-1574], who gave prominence to the langar… [integral as] sharing food [was] to Guru Nanak’s Kartarpur community…it was Guru Amar Das who particularly emphasised the requirement for everyone to dine side by side, regardless of caste and rank’ (Desjardins: 29).
There were two women, who especially, ‘nurtured the development of the langar tradition in its formative period: Mata Khivi (1506-82) and Mata Sundri, the second and tenth Gurus’ wives’. The Guru Granth Sahib notes that ‘Khivi…is a noble woman, who…distributes the bounty of the Guru’s langar; the kheer—the rice pudding and ghee—is like sweet ambrosia’. After the death of Guru Gobind Singh (1666-1708), ‘his widow Mata Sundri worked hard to continue the free community kitchen service. Records show her active role in fundraising for this purpose when the very survival of Sikhism was in question… (Desjardins).
The langar since is thus an integral part of the faith/religion, its compassion through the concept of Seva (self-less service); essential for all practicing Sikhs. Donating food or money is not as important as the practice of giving one’s time and service. Today the most famous community kitchen serving langar has to be the Golden Temple (Amritsar), where around 100,000 people are served on a daily basis. However, most Sikhs grow up visiting and worshipping at small local gurdwaras, where everyday worshippers and volunteers prepare food on a daily basis. These photos are taken from the local gurdwara at Mao Sahib (my father’s village, Jalandhar district), where the congregation prepare, serve, consume the langar and then clean afterwards. As the gurdwaras become more institutionalised, and as the historic gurdwara Mao Sahib (associated with the fifth Guru Arjan and his consort Mata Ganga, d. 1621) has come under the administration of the SGPC (the Sikh body responsible for the management of gurdwaras), voluntary seva has been added to by paid sevadars.
The pictures are of Mao Sahib, 2012, when the langar hall was undergoing a renovation and some of the langar preparation was taking place outside.
Equality
The idea of sitting and sharing food together is fundamental among Sikhs because it demonstrates the abolition of caste and dramatically asserts humble equality amongst all the people; regardless of their religious or caste background. The food is generally simple and vegetarian, to appeal to all and offend no one. Four core Sikh principles are enshrined in the langar: equality, hospitality, service, and charity.
Eleanor Nesbitt writes about how, ‘the Gurus were reformers who abolished the caste system or that caste is Hindu, not Sikh’. It is important to remember how revolutionary this was/is in a caste-ridden society. Nesbitt notes how, ‘the langar subverted Brahminical rules about commensality, according to which only caste fellows could eat together’ (118). Instead, it was proclaimed that, ‘a Sikh should be a Brahmin in piety, a Kshatriya in defence of truth and the oppressed, a Vaishya in business acumen and hard work, and a Shudra in serving humanity. A Sikh should be all castes in one person, who should be above caste’ (117). The Gurus, like the Bhagats Namdev, Kabir, and Ravidas, proclaimed the irrelevance of people’s inherited status to their spiritual destiny. In Guru Nanak’s view:
Worthless is caste (Jati) and worthless an exalted name,
For all humanity there is but a single refuge (Adi Granth 83)
Quoted in Nesbitt: 118
Similarly, according to Guru Amar Das:
When you die you do not carry your Jati with you:
It is your deeds which determine your fate. (Adi Granth 363)
Quoted in Nesbitt: 118
References
Bowker, John (ed.), The Concise Oxford Dictionary of World Religions (OUP, 1997)