Tag Archives: Lyallpur

Ludhiana and Lyallpur: A tale of two cities

I was preparing for a forthcoming History conference in Lyallpur when I started browsing and jumped from one rabbit hole to another. Sometimes research is like that, you need to explore and get lost in the lanes of history to find something. I did get the inspiration I wanted but I also ended up with more information than I needed. Amongst all of this is a list of some well-known people who were born in Ludhiana or Lyallpur. I was more interested in the direct links between these cities and the people that migrated between these two, as my I have a long-standing research and personal interest in both cities. However, those links were not always present, but it is still interesting to see the kind of people who emerged from these localities and migrated following the Partition.

Ludhiana and Lyallpur were in fact only small towns before Partition, and interestingly both have iconic colonial clock towers in the town centre; both are important industrial textile hubs in the region; both had 62% ‘other’ populations prior to 1947 (according to the 1941 census, 62% Muslims lived in Ludhiana and 62% Sikhs/Hindus in Lyallpur); and finally, both function as important diasporic cities in contemporary Punjab(s).

Typically I tried to find women, but sadly the list of people is mostly male bar two! I hope to continue adding to the list as I find more people or please leave a comment if you know any other people with Ludhiana-Lyallpur links.

Note: the source for the information below is mainly through browsing and do not claim it as my own work. I have only selected a people I was interested in and that were born before 1947 and migrated following the Partition.

From Ludhiana…

Abu Anees Muhammad Barkat Ali Ludhianvi (1911 – 1997) was a Muslim Sufi who belonged to the Qadiri spiritual order. He was the founder of the non-political, non-profit, religious organisation, Dar-ul-Ehsan. Abu Anees’s followers spread all around the world and especially in Pakistan. He was born in Ludhiana where his father was a landlord.

Agha Ali Abbas Qizilbash also known as Agha Talish, (1923 –1998) was a Pakistani actor who made his debut in 1947 and was mostly known and recognized in Pakistan for playing character actor or villain roles. Talish was honoured by a Pride of Performance award, by the Government of Pakistan in 1989. Talish was born in Ludhiana, and his breakthrough film in Pakistan was film producer Saifuddin Saif’s Saat Lakh (1957) where his on-screen performance for this popular hit song was widely admired, Yaaro Mujhe Maaf Rakho Mein Nashe Mein Hoon.

Ajaz Anwar (1946-) is a Pakistani painter. He was a gold medalist at Punjab University, and he completed his M.A. in Fine Arts from Punjab University. Later, he went to teach at National College of Arts Lahore. His watercolour paintings show the grandeur of the old buildings and the cultural life in Lahore. Born in Ludhiana in 1946, his father was a cartoonist who apparently had stirred his passion from childhood and from whom he drew his inspiration.

Anwar Ali (1922-2004) was a Pakistani Editorial Newspaper Cartoonist in Pakistan Times based in Lahore. Anwar Ali was the creator of famous character Nanna, was the first newspaper cartoonist associated with The Pakistan Times. He was born in Ludhiana, where he spent his childhood. He did his BA from Government College Ludhiana.

Chaudhary Abdul Hayee Gujjar (1921 – 1980), popularly known by his pen name Sahir Ludhianvi, was an Indian poet who wrote primarily in Urdu in addition to Hindi. He is regarded as one of the greatest film lyricists and poets of twentieth century India. Sahir was born in Karimpura, Ludhiana to a Punjabi Muslim Gujjar family.

Habib-ur-Rehman Ludhianvi (1892 – 1956) was one of the founders of Majlis-e-Ahrar-e-Islam. He belonged to an Arain (tribe) and was a direct lineal descendant of Shah Abdul Qadir Ludhianvi, the freedom fighter against British Colonial rule during the Indian Rebellion of 1857. He chose to stay back in Ludhiana to continue representing the thousands of Muslims still remaining there after the partition in August 1947. The ancestral masjid in Field Ganj still exists today.

Hameed Akhtar (1923 – 2011), was a newspaper columnist, writer, journalist and the secretary-general of the Progressive Writers Association in Pakistan. He was also the father of TV actresses Saba Hameed, Huma Hameed and Lalarukh Hameed. He finished his basic education in Ludhiana and was a childhood friend of renowned poets Sahir Ludhianvi and Ibn-e-Insha

Munawar Sultana (1924- 1995) was born in Ludhiana and was a Pakistani radio and film singer. She is known for vocalizing first ever hit Lollywood songs like, “Mainu Rab Di Soun Tere Naal Piyar Ho Gya” (Film: Pheray 1949), “Wastae Rab Da Tu Jaanvi We Kabootra” (Film: Dulla Bhatti 1956),and “Ae Qaid-e-Azam, Tera Ehsan Hay, Ehsan” (Film: Bedari 1957).

Saadat Hasan Manto (1912 – 1955) was a Pakistani writer, playwright and author who was active in British India and later, after the 1947 partition of India, in Pakistan. Saadat Hassan Manto was born in Paproudi village of Samrala, in Ludhiana district to a Muslim family of barristers. Ethnically the family were Kashmiri.

From Lyallpur

Grahanandan Nandy Singh (1926 – 2014) was an Indian field hockey player who won two gold medals, at the 1948 and 1952 Summer Olympics. There is a documentary film on the team by Bani Singh titled, ‘Taangh/Longing’. Singh began playing hockey while studying at the Government College in Lahore, serving as captain of their hockey team in 1945 and 1946. After the Partition, he moved to Calcutta and played for Bengal when he was selected to the 1948 Indian Olympic team.

Harnam Singh Rawail (1921 – 2004), often credited as H. S. Rawail, was an Indian filmmaker. He debuted as a director with the 1940 Bollywood film Dorangia Daku and is best known for romantic films like Mere Mehboob (1963), Sunghursh (1968), Mehboob Ki Mehndi (1971) and Laila Majnu (1976). Rawail was born in Lyallpur and moved to Mumbai to become a filmmaker.

Inderjeet Singh (1926 –2023), also known as Imroz, was an Indian visual artist and poet. He was the partner of the poet, novelist, and writer Amrita Pritam, and they lived together until Amrita’s death in 2005. Inderjeet Singh was born in Chak number 36, Lyallpur.

Jagjit Singh Lyallpuri (1917 –2013) was an Indian politician. He was the oldest surviving member of the founding Central Committee of the Communist Party of India (Marxist). Prior to the Partition of India, Lyallpuri’s family owned roughly 150–180 acres in Lyallpur. The family moved to Ludhiana following the Partition.

Jaswant Rai Sharma (1928 –2017), popularly known by his pen name Naqsh Lyallpuri, was an Indian ghazal and Bollywood film lyricist. He is best known for the songs “Rasm-e-Ulfat Ko Nibhayen” (Dil Ki Rahen, 1973), “Ulfat Mein Zamaane Ki” (Call Girl, 1974), “Tumhe Ho Na Ho” (Gharonda, 1977), “Yeh Mulaqaat Ek Bahana Hai ” (Khandaan, 1979), “Pyar Ka Dard Hai” (Dard, 1981), and “Chitthiye Ni Dard Firaaq Vaaliye” (Henna, 1991). He was born in Lyallpur to a Punjabi Brahmin family, where his father was a mechanical engineer.

Lal Chand Yamla Jatt (1910 – 1991) was a noted Indian folk singer in the Punjabi-language. His trademark was his soft strumming of the tumbi and his turban tying style known traditionally as “Turla”. Many consider him to be the pinnacle of the Punjabi music and an artist who arguably laid the foundation of contemporary Punjabi music in India. He was born to Khera Ram and Harnam Kaur in Chak No. 384, Lyallpur. After partition, they relocated to the Jawahar Nagar, Ludhiana.

Prithviraj Kapoor (1906 –1972) was an Indian actor who is also considered to be one of the founding figures of Hindi cinema. He was associated with Indian People’s Theatre Association as one of its founding members and established the Prithvi Theatres in 1944 as a travelling theatre company based in Bombay. He was born in Samundri into a Punjabi Hindu Khatri family. His father, Dewan Basheshwarnath Kapoor, was a police officer in the Indian Imperial Police. His grandfather, Dewan Keshavmal Kapoor, and his great-grandfather, Dewan Murli Mal Kapoor, were Tehsildars in Samundri near Lyallpur.

Romesh Chandra (1919 – 2016) was a leader of the Communist Party of India (CPI). He took part in the Indian independence struggle as student leader of CPI after joining it in 1939. He held various posts within the party. He became president of the World Peace Council in 1977. He was born in Lyallpur and got his degree in Lahore and another one from Cambridge.

S.D. Narang (1918-1986) was born in Lyallpur. He was a director and producer, known for Dilli Ka Thug (1958), Anmol Moti (1969) and Shehnai (1964). He graduated in Biology from Government College, Lahore and did his MBBS from King Medical Collage, Lahore.

Sunder Singh Lyallpuri (1878 – 1969) was a leading Sikh member of the Indian independence movement, a general of the Akali Movement, an educationist, and journalist. Lyallpuri played a key role in the development of the Shiromani Akali Dal, and in the Gurdwara Reform Movement of the early 1920s and also founding member of Central Sikh League.

Teji Harivansh Rai Srivastava Bachchan (1914 – 2007) was an Indian social activist, the wife of Hindi poet Harivansh Rai Bachchan and mother of Bollywood actor Amitabh Bachchan. Teji was Born into a Punjabi Sikh Khatri family in Lyallpur.

Remembering Partition in the Punjab – podcast

Earlier in the summer I recorded a podcast with Realms of Memory. There are two episodes for those interested in understanding more about the history of Partition, especially how it impacted the Punjab. The talk was based on my book, ‘From the Ashes of 1947: Reimagining Partition’ published by Cambridge University Press (2018). In the podcast I also discuss some of the recent changes that have taken place in the study in Partition.

You can listen to the podcast via most streaming sites, or via Realms of Memory

Remembering Partition in the Punjab: Part 1

Remembering Partition in the Punjab: Part 2

The shame of work

This morning I came across a newsflash on the BBC about “The risqué business of selling underwear in Pakistan”, which serves as a click bait because the article-proper is titled “Pakistan: The man trying to improve women’s underwear”. Its content immediately resonated with me. The quotes from female workers therein took me back to the research I did on the women, who worked for Pakistan International Airline (PIA) in 1960s. The factory in-focus, where they are making the garments, is based in Faisalabad (Lyallpur), a city I know well because of my own doctoral research, while the business was started by a Leicester born businessman. Leicester/DMU where I work, is city renowned for its garment factories and indeed DMU has long pioneered research in the increasingly sophisticated lingerie industry.

The interesting element is of course that in Pakistan, women’s undergarments are either on full display in congested stalls in busy bazaars, where a majority of women shop (buying, most likely, from a man) or they are curiously hidden (veiled) behind the blackened windows in fancy shopping malls. This stark class disparity is also symbolic of a cultural disparity in a society where working women of the sub-urban informal sector in r-urban areas, rarely have the luxury to be veiled, while the newly middle-class women, of families with the means to be pious, are more prone to and secluded in world of purdah.

The focus of the said article is about comfort and ensuring that women have access to underwear garments that are fit for purpose – and not just for optics. The fact that society treats these necessities in life as taboo, something to be embarrassed about and to snigger at because we are unsure how to respond, is a fine example of how a patriarchal society works to keep women confined in both public and private spaces.

When I was doing my research on PIA, the airline was established in 1955 in part to meet the needs of keeping East and West Pakistan connected, it was obvious that to get it off the ground, it needed staff, male and female. I was intrigued by the women who worked for PIA in the 1950s and 1960s, what motivated them, what their background was, given that in this still-more socially conservative age, women working as “airhostesses” or cabin crew were yet-more objectified, with age/size/marital status being important to the job. So, it was not surprising when such women encountered reluctance from the family members. 

These quotes from the BBC article could have been from the women I spoke with: (1) “We had two people who came back and said their families do not want them to work in an undergarment factory.” (2) “My father instantly refused…I had to ask him to let me go and see for myself and if…I don’t like the atmosphere at the factory, I won’t accept the job.”

Women who wanted to work for PIA endured similar sentiments. Families were reluctant or worse at their sisters/daughters working in this “forward” industry and the potential shame. But this was the 1950s/60s, and many of these women were away from home, flying high and experiencing a completely different world. In their taking off, they were breaking new ground, pioneering and enabling others to work in professions other than the usual “respectable” teaching/medicine. And so, to read these quotes from women today, 60 years later and working for a factory that is making undergarments is emblematic of how Pakistan has rolled on the road of more piety and rituals, as a ruse for rule; cover for control.

Faisalabad/Lyallpur is the third largest city in Pakistan, after Karachi and Lahore, and is the hub of the textile industry. It is often referred to as the Manchester of Pakistan. Following the Partition of British India, the city witnessed mass movement of people, both those who left for India and the large number of refugees that transformed this colonial town into the city that it is today. When I was doing my research on the city in the early-2000s, it was a conservative city despite the vast wealth being generated in its bazaars; 20 years on, it continues to be so, perhaps because of the new capital and its renewed performance of customs and commodification of shame.

Read further:

Pippa Virdee, ‘Women and Pakistan International Airlines in Ayub Khan’s Pakistan’, The International History Review, 2019, 41:6, 1341-1366, DOI: 10.1080/07075332.2018.1472622

Saher Baloch, ‘Pakistan: The man trying to improve women’s underwear’, BBC News, 13 June 2021. https://www.bbc.co.uk/news/world-asia-57268691.

History and History Writing

TWO books reviewed of A time BYGONE

The two books are placed on a traditional handmade dhurrie/dari by my mother.

ONE is the biography of Jamal Mian (1919-2012), a life across British India, independent India, East Pakistan and Pakistan. The kind of life, which would be unimaginable to most people of the subcontinent today. At the core, this is a detailed history of the changing political landscape of North India told through the life and times of an extraordinary life. The story unfolds with authority and simplicity, the kind of old-fashioned narrative history writing that barely exists. Stories and history writing are barely written like like because they do not command the short-term impact and they take years, generations to unfold through the relationship of the historian and his subject. But importantly it brings together the life and times of an individual and his milieu – showcasing the kind of “Hindustan” that no longer exists, other than in history books.

Pippa Virdee, FRANCIS ROBINSON. Jamal Mian: The Life of Maulana Jamaluddin Abdul Wahab of Farangi Mahall, 1919–2012, The English Historical Review, ceaa186, https://doi.org/10.1093/ehr/ceaa186

TWO is an account of the province(s) of Punjab; rising From the Ashes of 1947 but simultaneously being reimagined. This too is about a political landscape that has been transformed and only exists in the history books, kinder memories and sepia imaginations of some of its people. It is about the shorter, shocking and longer, hardening consequences of dividing the land of five rivers. It too has been written over a long period and reveals the changing nature of my understanding of Partition, from the beginning of my doctoral work in 2000, to the point of this publication in 2017. It has changed further still because history is about engaging with the past through the unfolding present and “reveals how far nostalgia combined with the lingering aftershocks of trauma and displacement have shaped memories and identities in the decades since 1947.”

Sarah Ansari, PIPPA VIRDEE. From the Ashes of 1947: Reimagining Punjab, The American Historical Review, Volume 125, Issue 2, April 2020, Pages 635–636, https://doi.org/10.1093/ahr/rhz695

From the Ashes of 1947: Reimagining Punjab

From the Ashes_Full Cover

Full details: From the Ashes of 1947

Watch the panel discussion with Pippa Virdee (De Montfort University, UK), Afzal Saahir (Poet and Radio Host) and Sajid Awan (Quaid-e-Azam University) of my book From the Ashes of 1947 at the Afkar-e-taza, January 2018 Panel Discussion

A short hop from Ludhiana to Lyallpur

 

Getting into a taxi can often lead to interesting conversations with the drivers. So when one evening I request a Careem (much like Uber around the world), I get into the car and as it happens quite often, the driver is usually baffled by the name (not an obvious Pakistani name) and the person who is sitting in the car (could be Asian but looks “foreign”). I explain that I am indeed Punjabi and use my best Punjabi accent to prove the point! However, the response from the driver is quite often in Urdu, even though I carry on speaking in Punjabi. This will continue or then sometimes the driver will feel comfortable enough to speak in Punjabi.

So then on this one evening, a young driver who turns out to be from Faisalabad (previously known as Lyallpur); he lives not far from Samundri, which is a tehsil of Faisalabad district. Lyallpur district began life in 1904 following the development of the canal colonies in West Punjab in the late nineteenth century. From being a small market town, Lyallpur has been transformed into Pakistan’s main agro-industrial centre following the partition of Punjab. One which has fundamentally changed Lyallpur in modern times is migration. Firstly following the development of these canal colonies and secondly, the migration following Partition in 1947.

Having discovered the driver was from Faisalabad, I choose to converse with him in Punjabi. He was both astonished and ecstatic at the same time. The joy of sharing the same language and accent as you, can sometimes do this to people. He had been in Lahore for some months now and was making a living driving for Careem. The familiar tones of someone, and in this case someone who he thought was a foreigner, speaking the same language that he had perhaps not heard so frequently since he arrived in Lahore immediately allowed us to bond during the short ride. The ride is in fact less than ten minutes, but it is amazing what can be gleaned in these short conversations.

As we discussed our mutual language I suggested to him that the elders in his family might have migrated over from Jullundar or Ludhiana, and he immediately said that yes, his paternal grand-father was from Jullundar. The distance that divide these two places is approximately 250 km. He came over after partition and settled in Lyallpur. I went on the make the connections between the two places, the place where I grew up on the other side of the border, and the place on this side of the border but both conversing in the same language in a neutral city. Perhaps it had never occurred to him that he also had some connection to the Indian side of Punjab via the language that he speaks.

At the end of the ride, his joy at making these small connections translated into him refusing to take any money from me. He said he could not do this. Sometimes life brings about things which cannot be measured in monetary terms, they are passing moments, glimpses of human kindness that leave you feeling richer.