Laal/Red

“In 1949, while in Lahore, Sahir Ludhianvi wrote a revolutionary poem, ‘Avaaz-e-Adam’ (The Voice of Man), in which ‘hum bhi dekhenge’ remains a memorable phrase. It ended on the optimistic – and one could say provocative – assertion that the red flag of communism would fly high. Pakistan had already decided to become a frontline state in Western attempts to contain Soviet Communism. It was trying desperately to convince the US that it could be a strong ally in its anti-Communism policy. Pakistan also wanted to portray itself as a trusted ally for the West, not just in South Asia but also in the Middle East. But after the poem was published, Sahir was threatened by intelligence agencies and he migrated to India. In effect, ‘hum bhi dekhenge’ came to symbolise Sahir’s farewell to Pakistan, which he felt would be a puppet of the West, and his search for sanctuary in Nehru’s India.” Source: The Wire.

© 2019 Pippa Virdee
aavaaz-e-aadam
Dabegi kab talak aavaaz-e-Aadam hum bhi dekhenge
rukenge kab talak jazbaat-e-barham hum bhi dekhenge
chalo yoonhi sahi ye jaur-e-paiham hum bhi dekhenge

dar-e-zindaan se dekhen ya urooj-e-daar se dekhen
tumhen rusva sar-e-bazaar-e-aalam hum bhi dekhenge
zara dam lo maal-e-shaukat-e-jam hum bhi dekhenge

ye zoam-e-quvvat-e-faulaad-o-aahan dekh lo tum bhi
ba-faiz-e-jazba-e-imaan-e-mohkam hum bhi dekhenge
jabeen-e-kaj-kulaahi ḳhaak par ḳham hum bhi dekhenge

mukaafaat-e-amal tareeḳh-e-insaan ki rivaayat hai
karoge kab talak naavak faraaham hum bhi dekhenge
kahaan tak hai tumhaare zulm mein dam hum bhi dekhenge

ye hangaam-e-vidaa-e-shab hai ai zulmat ke farzando
sahar ke dosh par gulnaar parcham hum bhi dekhenge
tumhen bhi dekhna hoga ye aalam hum bhi dekhenge
The Voice of Man
We too shall see till when one can suppress the voice of Adam
We too shall see till when can be stopped the angry emotion(s)
We too shall see, sure, just like this, the constant oppression.

Whether we view from the door of the dungeon or the elevation of the scaffold
We too shall see you dishonoured in the marketplace of the world
Just take a moment’s breath, we too shall see the consequences of the grandeur of Jamshed.

You too behold this vanity of power
We too shall see this by the kindness of the firm belief’s fervour
We too shall see a bend upon the dusty face that wears the jaunty headgear.

Retribution is a tradition of human history
Till when will you amass the arrows, we too shall see
We too shall see how far will you persist with your tyranny.

O sons of darkness this is the time for departure
We too shall see the morning shoulder the flag of red colour
We too shall see, you too shall have to see this clamour.

Source: ‘We Too Shall See, You Too Will Have to See This Clamour’: A Tribute To Sahir Ludhianvi by Raza Naeem, NayaDaur

Read/listen to Sahir on Rekhta

Sahir Ludhianvi – Making of Dreamer – Freudian Poet of the Indian Cinema by Anil Pundlik Gokhale. CounterCurrents.org

Speaking Easy: Allama Iqbal’s Grandson – Yousaf Salahuddin

via Speaking Easy: Allama Iqbal’s Grandson – Yousaf Salahuddin – on his Current Project and the Future of Art and Culture in Pakistan

Originally published 5 Sept 2012 but relevant today.

If you want to read further also see this article in The Friday Times by Muhammad Asif Nawaz, The old world charms of Mian Salli, originally published 25 July 2014.

Relics of an ideology

In this age of electoral nationalism, a reminder of how a different ideology exists at the periphery of the public imaginary.  Memento Park, Budapest.

Faletti’s

Faletti’s Hotel is the oldest colonial hotel in Lahore. It opened in 1880 in the old walled city. Back then, it claimed to be one of the finest hotels. By modern standards, this is not a big place, but it is certainly one of the most sought after. It retains the colonial architecture along with a matching attitude. One of the reasons that Faletti’s continues to attract so much attention is to do with the famous guests that have stayed there, over the years.

Read about the origins and owner, Giovanni Faletti on Faletti’s website.

A fascinating account in Dawn about the owners changing hand:

According to tales recounted by old hotel employees, Faletti’s Hindu clerk, Oberoi, offered to buy some shares, and Faletti was so impressed and delighted that someone whose job was to haul coal for the rooms had saved enough to buy the shares of his hotel that he allowed him to become his trusted employee. When Faletti finally left Pakistan, he gifted Oberoi all his hotels on the condition that he would not change the name of Faletti’s. Oberoi stayed true to his word and earned so much from just Faletti’s alone that he invested in a hotel in Delhi, the famous Oberoi, following which he established more hotels in India…After the 1965 war, Oberoi decided to move to India and sold majority shares of the hotel to PTDC — again on the condition that the hotel name would not be changed.

Everyone from the great Quaid-i-Azam to Hollywood actors have stayed at the hotel. Ava Gardner and Stewart Granger stayed here for three months during the filming of Bhowani Junction, which took place in 1955. The room in which she stayed is now known as the ‘Ava Gardner Suite.’ Marlon Brando stayed here when he was visiting the country on behalf of UNICEF. One of the Chief Justices of Pakistan, A.R. Cornelius, took up residence at Faletti’s and stayed at the hotel for over 40 years until his death in 1991. Whereas Mohammad Ali Jinnah stayed at Faletti’s when he came to Lahore to argue the appeal of Ghazi Ilm-ud-Din Shaheed before the Lahore High Court in July 1929.

Other guests have included the cricketer Sir Garfield Sobers, Jawaharlal Nehru, Dilip Kumar, Raj Kapoor, and Mohammad Rafi.